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The family spends a week with the Hayes family, before the return journey over Land, with side trips to Sante Fe, New Mexico, and Texas. October, 1997). (CF, exhibition file). (Calder 1966, 167). ( New York Times, 24. January; CF, object file). (Calder 1966, 204; CF, passport; ASCR conversation with Mary Calder Rower, 23. The exhibition travels to five cities in the United States and Japan. Their daughter, Sandra, at the age of two, and her caretaker, Dorothy Sibley, to join them. All you met were Concierge, doormen, taxi drivers, and finally me. (AAA, passport; Calder 1966, 101).. (Calder 1966, 156; CF, travel file). He makes The Eclipse, an oil painting of the scene. They rent a different apartment in the building at 244 East Eighty-sixth Street and Second Avenue, where they lived before. Until his death in 1959, Warner commissions dozens of works by Calder, including at least ten works of jewelry for his wife, Edna. Six original graphics in various media by Calder, Amuszkiewicz, Dechar, Jenkins, Parker, and Robert Rauschenberg


Sainte-Adresse - Wikipedia


Sainte-Adresse - Wikipedia

Soon after, Calder received commissions to make both mercury fountain for the Spanish pavilion at the Paris world fair (a work that symbolized Spanish Republican resistance to fascism) and Lobster Trap and fish tail, a sizable mobile installed in main stairwell of Museum of Modern Art in New York. Alexander Calder. I like very much is with a black wooden frame with a sheet metal frame moved in different levels, and with certain movable elements of the brilliant spots in an otherwise gloomy setting. Only a few weeks later, Calder died at the age of seventy-eight, at the end of the most prolific and innovative artistic career of the twentieth century. Preface by Hans Scharoun; poem by Willem Sandberg; texts by Dr. It articulated series of mechanized sculpture in miniature, a distillation of the natural circus is developing into a multi-act. (Calder 1966, 103). Daily direct trains operate to Amiens and Lille, and direct TGVs (high speed trains) connect daily with Lyon and Marseille. We notice the movement of cars and other beings on the road, but we do not notice that the earth rotates. He has helped me. ( New York Times, 12; CF, project file).. January). (AAA, circus announcement; The world, 18. The catalogue for the exhibition. Herta Elisabeth Killy, Stephan Waetzoldt; reprinted texts by Jean-Paul Sartre and Calder. (CF, object file; CF, Calder, Gallatin, 13 September 1935). Jerusalem is a Stable, completed in 1976 and Louisa attends the dedication ceremony in 1977. We made the chariot race and the lion tamer and it was a complete circus, with a growth rate of two cases in five. The catalogue for the exhibition. Five performances are given; each group consists of about thirty spectators. This exhibition was soon followed by others in New York, Paris and Berlin; as a result, Calder spent much time crossing the ocean with the ship. Director: Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H. 1967. You have been here for 3 months now, and I’m actually going to Monte-Carlo, when you return, but, in the fall, also. 1952. Already familiar with Mondrian’s geometric abstractions, Calder is deeply impressed by the studio environment. Introduction by Rodolfo Pallucchini; texts by James Johnson Sweeney and Christian Zervos (excerpt from MoMA 1943)

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In may 1964) and Paris (4. Film. They visit the Seyrigs and show the film works of Calder at the American University. The film was directed by matter and produced and narrated by Burgess Meredith, with music by John Cage. (CF, project file). (Calder 1966, 186; NL, Calder to Shaw, 14 December). January 1944 due to public demand. I’m sick of it especially because the only person that is amused me and amused me for the last year and a half, with a sandy beach. November 1943, the exhibition is extended to 16. (CF, exhibition file). Choreographed by Pierre Halet; sets and costumes designed by Calder; music by Jean Ferrat; produced by Gabriel Monnet. November, 1964). Louisa says Calder over the fire, as he joins them on 7. December. Although the habitat is never realized, Calder creates four models for the project: sphere pierced By cylinders, Four leaves and Three petals, leaves and tripod, and The hair pins. ( New York Times, 24. With great respect for those who rightly question the brutality, and speak out strongly for a civilized world. October).. (CF, passport; Calder 1966, 232). Originally scheduled to close on may 28. (CF, project file). Written and narrated by Agnes Rindge Claflin; cinematography by Herbert Matter; filmed and recorded by Hartley productions. The game opens in Bourges, and in the following year at Tours (10

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